Copywriters and Copywriting – The Key Types

If you’re thinking of using a copywriter (or becoming one), it’s important to realise that there is more than one type of copywriting and more than one type of copywriter.

Different writing projects require different skills, and writers evolve different skillsets, whether deliberately or simply as the natural result of their working experience. So the terms ‘copywriting’ and ‘copywriter’, although simple-sounding, actually encompass a range of specialisations and capabilities. This post lists some of the most common types of copywriting and copywriters.

Note that some of these copywriting disciplines have parallel job titles/descriptions, and others don’t. For example, while ‘SEO copywriter’ is now a recognised job title, I’ve never heard anyone describe themselves as a ‘long-copy copywriter’. Also, be aware that some of these labels are flexible – while there are different strands within copywriting, the distinctions between them aren’t always so clear-cut as my headings imply, and people may use these terms in different ways.

The freelance copywriter

The freelance copywriter writes in any medium directly for clients, usually operating as a sole trader or one-person company.

Businesses and organisations need a broad range of things written: websites, brochures, case studies, product descriptions, user manuals, press releases, presentations, internal documents and more. While many will simply use internal resource to get the writing done, many turn to a freelance copywriter to help them out.

Freelance copywriting is usually managed on an ad hoc, job-by-job basis, although some clients do strike retainer arrangements or set up longer contracts with freelances. Typically, the freelancer provides a price or proposal, does the work, revises the copy in response to feedback, and submits their invoice on approval.

Freelance copywriting typically requires ‘broad but shallow’ copywriting skills. For example, in the course of writing a corporate website, the copywriter might find themselves writing long copy for information pages, snappy selling copy for high-profile pages and journalistic copy for news pages. At the same time, they might throw in a company tagline and perhaps name a product range or two – in some cases, without even being asked, since the client may not have realised that they even need these things.

As a result of working for many different clients, the freelance copywriter also tends to develop broad but shallow knowledge of different business sectors, allowing them to get a handle on new clients’ requirements very quickly. This is one area where older freelancers can consistently outdo their younger counterparts – experience cannot be faked, nor bought.

Conversely, some freelances specialise in writing for a particular industry or sector – pharmaceuticals, charity and so on. This may be because they previously held a salaried position in that sector. It may be a deliberate choice, or it may just emerge as a result of the jobs and referrals that come along.

Since the freelance copywriter deals directly with clients who may have little or no marketing experience, they also need some skills in project management, consultancy and diplomacy. Like business knowledge, these skills take time to acquire.

Freelance copywriters come from a range of backgrounds. Some are ex-agency copywriters who wanted a change of lifestyle; some have experience in related industries such as marketing, journalism or publishing; some are just people with a talent for writing who have decided to give freelancing a go.

The agency copywriter

Agency copywriters work in-house for graphic design studios, full-service marketing agencies, digital agencies, search agencies, PR agencies and copywriting agencies, where they produce text to order for the agency’s clients. They’ll usually be briefed by an account handler, or perhaps a designer, and will produce whatever the client requires. In some cases, they may deal with the client directly.

While freelance copywriters spend a lot of time on the nuts and bolts of their business – marketing, accounts, new business – the agency copywriter will do hands-on writing for the bulk of their day. Some writers prefer this, seeing it as their true vocation, while others might worry about the pressure of delivering creative ideas and high-quality content under the pressure of the clock – and the management.

Agency copywriters, particularly those who have worked in London or another media hub, will typically be able to show some impressive national or multinational brands on their cv. However, big companies require a range of content types, and the projects involved may not have been high-profile marketing campaigns. Also, the agency copywriter is given his clients and projects on a plate, while the freelancer has to go out and close deals directly with real-world companies, all on their own. Arguably, this gives the freelancer a better grasp of commercial realities.

Wedding Photographers Photoshop Editing Tip:

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So you wonder what makes a few pictures look increasingly “proficient” than others. I pondered something very similar for quite a while until I at long last found the mystery. Also, that mystery is the enchantment utilization of difference.

On the off chance that you shoot in RAW (and I trust you accomplish for some different reasons that we will examine in another theme) at that point you most likely see that the pictures turn out looking rather level. As I would like to think, this is something to be thankful for. In the event that the photographs came straight out of the camera with an excess of difference connected.

Smothered features:

At that point you risk having smothered features or loss of detail in the shadows. As wedding picture takers, we can’t have that since a portion of the fundamental hues we shoot are white (wedding dress) and dark (tuxedo). Along these lines, today I am demonstrating how to add complexity to your wedding photographs without losing point of interest in your features and shadows. I am notwithstanding going to toss in a reward tip toward the part of the arrangement, so ensure and continue perusing.

Essential repairs:

Initially, we need a picture. I am accepting that you have as of now shading redressed your picture and played out the essential repairs. First thing we have to do is open the picture in Photoshop. I am at present utilizing CS5, however CS2 and up should work fine.

You will need to copy your unique layer:

A speedy method to do this is to tap on the first layer and press control + J (windows), or direction + J (macintosh). This will copy the chose layer. Since you have two of similar layers, we are going to concentrate on the top layer. We should feel free to name that layer. I find this is an incredible practice and prescribe you add naming your layers to your work process. I am going to name mine “differentiate”.

Mixing method:

After we name our layer, we have to change the mixing method of this layer. On the off chance that you look directly over the layer named “differentiate” you will see a drop down box that says “Typical”. We need to tap on this and select “Delicate Light”. When you do this you will promptly see that the picture has much more complexity. Indeed, it has excessively and does not look that great.

Bring down the difference a piece:

So as to make the photograph look better we currently need to bring down the difference a piece. We can do this by bringing down the haziness of the “differentiate” layer. I generally set my murkiness to around 60%, or somewhere in the vicinity. This is an abstract change and you can adjust this to your likings.

Supported features:

Since we have included complexity, we have basically supported our features and shadow regions. What we have to do is ensure that our complexity layer does not influence these features and shadow zones. We will do that by opening the layer properties and changing the manner in which the layer mixes the dark tones.

Open up the layer properties by double tapping on the “differentiate” layer. When the layer properties box is open you should modify the “Mix if: Gray” esteem so that our “differentiate” layer does not influence the features and shadows, inside a specific range that we indicate.

Principal number alongside :

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We need to move the slider on the dark (left) side, to one side until the principal number alongside “This Layer:” is 10. After that hold down the ctrl (Windows), or direction (Mac), while you are as yet floating over a similar slider and start moving it to one side, much more, until the subsequent number is 30.

You will see that this will part the slider into two:

What this is doing is mixing the shadows so that there isn’t a sudden change in the tonal worth, for this would not look satisfying. Do something very similar to the white (right) slider until the numbers are (from left to right) 225 and 245. So from left to directly from the “Mix if.

Gray”, we have 10/30 225/245. Basically, what we have done is advise the layer not to change any of the feature or shadow esteems in a specific range and to likewise mix the qualities that we changed with the ones from the first foundation layer. Know more visit the official website http://bit.ly/2k08PxP